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Weasel Records

Recorded live to tape in various basements circa 1992, the first Weasel album met with critical acclaim, and brisk sales followed. Not.

A four-day recording marathon in 1995 gave rise to animosities that still exist today.


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Never Gonna Fall for Modern Art

October 31st, 2010

I was bored yesterday afternoon and rather than lay around watching TV I decided to channel my ennui and create a great work of modern art. This I did by opening Webster’s Revised Unabridged Dictionary to page 1850 (put-putty), placing the dictionary on a stump in the backyard, and leaving it there to biodegrade, which biodegradation I will then record photographically. The resulting work, entitled “putrescence,” can be part of your collection for a paltry one million dollars, stump not included. That might seems like a lot now but remember that it will no doubt become much more valuable when I’m dead.


Worst Person in the World: Prometheus

October 30th, 2010

Bill Shannon, a baseball historian, author and an official scorer for the Mets and Yankees died in a house fire in West Caldwell, N.J on October 25. As if his week wasn’t bad enough, Shannon, 69, was later eulogized by his friend, former sportscaster Keith Olbermann.


How to Play the Saxophone

October 29th, 2010

Hi, is there someone who can give me some directions about playing the sax? I’ve just purchased one and would love to know how to play it?? Some helpful weblinks would also be great!!

First things first. If you’re a white guy you’ll need a stupid hat, the stupider the better, and preferably a beret. Sunglasses are optional, but all the really really good players wear them, especially indoors. You’ll also need some “gig shirts” — Hawaiians are good, in a pinch anything with a loud floral pattern is acceptable, as are T-shirts from various jazz clubs and festivals. Sandals are a must, even in winter.

Once you’ve assembled the proper attire you can begin practicing. The most important thing about playing is being able to convey emotion to the audience. This you do through various facial expressions. The two emotions you’ll need to convey are (1) rapture and (2) soul wrenching pain and sadness (i.e., the blues). You may find it useful in the beginning to borrow a page from the method acting school. So, for example, to convey rapture try thinking of something nice, like puppy dogs or getting a rim job from Uma Thurman. To convey the “blues” try thinking of something really really appalling, like ulcerative colitis or Alec Baldwin. Practice your facial expressions in front of a mirror at least two hours per day. You may feel a tad stupid at first, but you’ll never get the chicks if you don’t jump around on stage like a monkey with a rabid wolverine in its colon. And bottom line, chicks is really what music’s about.

Next, you’ll need the correct ligature. Some people think that the ligature is just a stupid piece of old metal that holds the reed on the mouthpiece. Well, those people are idiots. Besides your beret, your ligature is the single most important piece of musical equipment you will ever buy. Mine, for example, is 40% platinum and 60% titanium; one screw is rubidium and the other plutonium. It makes me sound exactly like Booker Ervin would if Booker Ervin were (1) not dead and (2) on Mars, if (2)(a) there was oxygen on Mars. You may have to spend years and years and thousands of dollars finding the proper ligature, but in the end it will definitely be worth it.

Now: reeds. Optimally you’ll want to move to the Cuba, grow and cure your own cane and carve your own reeds by hand. If you’re just a “weekend warrior” however, you can get by with store-bought. First, buy ten boxes of reeds, that’s 100 in all. Next, open all the boxes and throw away 60 reeds. Those were unplayable. Take the remaining reeds and soak them in a mixture of 27.8% rubbing alcohol and 72.2% pituitary gland extract for 17 weeks. Throw away 20 more reeds: those were stuffy. Take the remaining 20 reeds and sand each one for exactly 13 seconds with #1200 grade 3M sandpaper. Throw away 14 reeds. Those squeaked. Take the remaining 6 reeds and soak them for another 17 weeks, this time however in a mixture of 27.8% pituitary gland extract and 72.2% rubbing alcohol. Sun dry the 6 remaining reeds for 3 weeks, optimally at an equatorial latitude, and throw away 3 more on general principles. You now have 3 reeds that will last you several months if you play each one only 20 minutes a day in strict rotation.

Now, you say you just bought a horn. Although you didn’t say what kind it is, I’d sell it immediately and get a different one. The best one to get would be a Selmer Mark VI made on June 14, 1963, serial number 135543. If you can’t get that one though, generally speaking the older and more expensive the better. The following brands are good: Selmer Paris Mark VI. The following brands suck: any other Selmer, Yamaha, Conn, Beuscher, Yanigasawa, Cannonball, LA, Jupiter, Elkhart, King, Martin, Keilworth, Boosey and Hawkes, Couf, Silvertone, and Holton.

You will also need some accoutrements: a flight case capable of withstanding atmospheric pressure of dP = - Dg dz where D and g are, respectively, the density of air and the acceleration due to gravity at the altitude of the air layer and dz is a horizontal layer of air having unit surface area and infinitesimal thickness; a metronome; a tuner; a combination alto, tenor, and baritone sax stand with pegs for oboe, bass clarinet, flute, English horn and bassoon; Band in a Box; a reed cutter; swabs, cleaners, pad savers, pad dope, pad clamps; a Sennheiser Digital 1092 Wireless Microphone; and an effects rig with digital delay and parametric EQ.

It will be helpful if you listen to lots of sax players. Unfortunately, listening to players you like is the worst thing you can do. To really understand the music and its traditions, you have to go back to the beginning and work forward. I’d start with madrigals and listen to every note of music ever recorded. Once you get to the 20th century, pay particular attention to Jimmy Dorsey, the inventor of modern jazz. In no time at all you’ll be able to understand the unique be-bop stylings of players like Ace Cannon, Boots Randolph and Grover Washington Jr.

Finally, to play the saxophone itself, blow in the small end and wiggle your fingers.


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October 8th, 2010